The much-loved medley that makes up the bulk of side two of Abbey Road is comprised of eight songs (well, technically there are two medleys, but that sounds much less impressive than “THE MEDLEY” in all-caps and big bold letters as per the rules of AP style. Look it up). Taken as a whole, they represent one of the Beatles’ finest hours. Taken as individual songs, some clearly stand up better than others. But I’m not going to Continue reading “#167: Sun King”
This is a tricky one. There are so many elements of “I Want You” that I really do love, but John Lennon didn’t seem to know when enough was enough: Continue reading “#186: I Want You (She’s So Heavy)”
The Beatles’ success was based on a lot of things, one of the most critical being a stubborn refusal to act predictably. So while most bands would fall victim to the poetry of concluding their final recorded album with a song called “The End,” the Beatles were too cool for that. Enter “Her Majesty,” the shortest song in their catalog, an unlisted surprise that pops up after several seconds of silence following “The End.” Granted, it was the result of Continue reading “#191: Her Majesty”
As much as I’ve grown to appreciate Paul McCartney’s solo and Wings work over the last few years, George Harrison will probably always be my favorite Beatle. He really started to emerge as a songwriter in the group’s later years, and his 1970 triple LP All Things Must Pass is the finest solo album by any of the Fab Four. That said, not all of his 22 Beatles compositions can be winners, and the worst is “Only a Northern Song,” a tedious excursion that takes every psychedelic cliche you can think of, tosses them into a blender, and purees them into a headache-inducing mess.
Much like my famous rum and coke and Chloraseptic cocktail.
George sounds almost as bored singing this song as the listener inevitably will be hearing it. Recorded nearly two years earlier as a Sgt. Pepper outtake, it finally popped up Continue reading “#198: Only a Northern Song”